Digital Artwork
It Sings to the Sound of Engines
Sounds art installation
Exhibited
Format
01
Sounds art installation
Status
02
Exhibited
Country
03
Croatia
Partner
04
LAB852
About
Making the Invisible Visible is a multi-layered, multi-format, multi-discipline communication campaign whose main aim is protection of underwater biodiversity. The main objective of the action is to translate complex scientific data into language understandable to a wider public in order to better understand environmental threats and the benefits of nature protection regulations. The campaign builds on the opportunities protection creates for ecological recovery and nature’s capacity to regenerate, while recognising the threats that can undermine its effectiveness: coastal construction, nautical tourism and sea traffic, rising sea levels, and overfishing. The backbone of the project is the naturally occuring Island-Trapped Waves phenomenon and the local and scientific communities working in tandem in order to instate a specific protection zone.
The work It Sings to the Sound of Engines is an audio installation created by Francisca Rocha Gonçalves which uses the underwater sound recordings captured by divers during the ITWs Lastovo research and examines sound pollution around the island. By capturing the sounds of the underwater flora and fauna, but also the sounds of engines and propellers which disrupt the natural soundscapes of the deep, it raises questions about a problem which is still not talked about enough in coastal areas.
Concept
Corresponds to the curatorial chapter 'It Sings to the Sound of Engines': Today's seas are not only highways for cargo but playgrounds for nautical tourism, the armada of jet skis, yachts and cruisers, tracing paths over coral gardens and seagrass plains. With each passing hull, a wake of disturbance follows. Propellers stir up sediment, anchor chains grind against reef, and oily trails shimmer in the sun. But it is the sound that cuts deepest: the pulse of engines which floods the acoustic landscape of the ocean. To human ears, these waters may seem silent. To marine life, they have become deafening. The sea, once a resonant chamber of communication and orientation, now echoes with mechanical roar. The soundscape, the ocean's language, is lost in translation.
Status
Exhibited
Themes
Threats to the biodiversity
Underwater noise pollution
Marine acoustics
Nautical tourism
Maritime traffic
Acoustic ecology
Space
• Presented within 'Making the Invisible Visible' exhibition, Jelsa Municipal Museum (Kravata gallery) / HDD, Jelsa.
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Inspired by debates
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1st round
Jelsa (Island of Hvar)
Croatia
13.09.2024 — LAB852
LAB852’s debate (13 September 2024) focused on intergenerational and interdisciplinary exchange. A lecture by Prof. Zrinka Ljubešić opened the session, followed by a microscope-based diatoms workshop and collaborative activities designed to activate local memory around marine and forest ecosystems. Hosted in the small town of Jelsa on the island of Hvar, the event fostered strong emotional engagement with local heritage among high-school students, teachers, biologists and cultural practitioners. It generated a pool of materials and testimonies that inform the Croatian artistic output ('Making the Invisible Visible: Island Pulse') and its contribution to the CO-VISION archive.
2nd round
Jelsa (Island of Hvar)
Croatia
10.09.2025 — LAB852
Held 10–11 September 2025 (with a further block 4–5 December 2025) at the Jelsa Municipal Museum and Galerija Monade, the second Local Debate ran an intergenerational programme of guided exhibition visits and age-tailored activities. A lecture by coastal engineer Prof. Dalibor Carević anchored a moderated debate for high-school students on coastal protection, marine ecosystems and the 'no-take' concept, framing science and art as catalysts for social change and validating the developed artworks within the Jelsa Art Biennial context.
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