Digital Artwork
Fenua - The Last Fragment
Sculpture
Exhibited
Format
01
Sculpture
Status
02
Exhibited
Country
03
Croatia
Partner
04
LAB852
About
Making the Invisible Visible is a multi-layered, multi-format, multi-discipline communication campaign whose main aim is protection of underwater biodiversity. The main objective of the action is to translate complex scientific data into language understandable to a wider public in order to better understand environmental threats and the benefits of nature protection regulations. The campaign builds on the opportunities protection creates for ecological recovery and nature’s capacity to regenerate, while recognising the threats that can undermine its effectiveness: coastal construction, nautical tourism and sea traffic, rising sea levels, and overfishing. The backbone of the project is the naturally occuring Island-Trapped Waves phenomenon and the local and scientific communities working in tandem in order to instate a specific protection zone.
The work Fenua: The Last Fragment aims to contextualize the issues of rising sea levels and the effect that climate change brings to coastal communities on a global scale - by utilizing the example of Tuvalu: the first coastal community under threat of extinction by rising sea levels. The miniature 3D-printed sculpture consisting of collected soil held in a golden vessel, functions both as a reliquary and a political object, evoking the fragility of ecosystems and the cultural erasure triggered by climate change, tourism, and economic extraction. In the context of the Contemporary Art Museum of Tuvalu — a nation on the frontline of rising sea levels — the work becomes a quiet protest, a radical act of tenderness toward land that may soon be submerged or transformed beyond recognition.
Concept
Part of an ongoing research into vanishing communities and disappearing landscapes, Fenua: the last fragment is a poetic gesture of preservation — a keepsake for a disappearing world. “Fenua,” a Tuvaluan word for land, community, territory, and placenta, becomes here a conceptual and material container for memory, rootedness, and loss. The smallness of the box — only 5mm — stands in stark contrast to the immensity of what is being lost.
Status
Exhibited
Themes
Rising sea levels
Islands
Sustainability
Environmental loss
Space
• Unveiled at Muzej općine Jelsa / HDD (Kuća Dobrović), Jelsa
• accompanied by artist talk/performance on 2.8.2025
• Indoor gallery space, low light
Tech rider
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Artists
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Inspired by debates
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1st round
Jelsa (Island of Hvar)
Croatia
13.09.2024 — LAB852
LAB852’s debate (13 September 2024) focused on intergenerational and interdisciplinary exchange. A lecture by Prof. Zrinka Ljubešić opened the session, followed by a microscope-based diatoms workshop and collaborative activities designed to activate local memory around marine and forest ecosystems. Hosted in the small town of Jelsa on the island of Hvar, the event fostered strong emotional engagement with local heritage among high-school students, teachers, biologists and cultural practitioners. It generated a pool of materials and testimonies that inform the Croatian artistic output ('Making the Invisible Visible: Island Pulse') and its contribution to the CO-VISION archive.
2nd round
Jelsa (Island of Hvar)
Croatia
10.09.2025 — LAB852
Held 10–11 September 2025 (with a further block 4–5 December 2025) at the Jelsa Municipal Museum and Galerija Monade, the second Local Debate ran an intergenerational programme of guided exhibition visits and age-tailored activities. A lecture by coastal engineer Prof. Dalibor Carević anchored a moderated debate for high-school students on coastal protection, marine ecosystems and the 'no-take' concept, framing science and art as catalysts for social change and validating the developed artworks within the Jelsa Art Biennial context.
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