Digital Artwork
Concrete Lover
Video art Installation
Exhibited
Format
01
Video art Installation
Status
02
Exhibited
Country
03
Croatia
Partner
04
LAB852
About
Making the Invisible Visible is a multi-layered, multi-format, multi-discipline communication campaign whose main aim is protection of underwater biodiversity. The main objective of the action is to translate complex scientific data into language understandable to a wider public in order to better understand environmental threats and the benefits of nature protection regulations. The campaign builds on the opportunities protection creates for ecological recovery and nature’s capacity to regenerate, while recognising the threats that can undermine its effectiveness: coastal construction, nautical tourism and sea traffic, rising sea levels, and overfishing. The backbone of the project is the naturally occuring Island-Trapped Waves phenomenon and the local and scientific communities working in tandem in order to instate a specific protection zone.
The audiovisual work Concrete Lover by artist Marieke Leene consists of 3D animated video and accompanying poem which tackles the ever-growing problem of unrestricted coastal building, concretization of the shoreline and the overuse of concrete around the island. Along with overtourism, unrestricted fishery and marine traffic, coastal building and destruction of natural microhabitats is one of the main problems affecting biodiversity on Croatian islands, especially Hvar and Lastovo. The work features concrete being poured around well-known areas around Hvar and Jelsa, warning against the uncontrolled use of concrete which destroys natural flora and fauna habitats.
Concept
Corresponds to the curatorial chapter 'It Gets Lost in its Concrete Lover': Despite the deep-seated awareness that waters are vital for all life, the slow but sure poisoning is happening, disguised as development. Concrete, man's most enduring creation, spreads its hard geometry across the soft edges of the Earth. It withstands centuries of regime changes, sea spray, and even radiation, rooting itself in soil and seabed alike. Where once coastlines undulated in fluid harmony with wind, vegetation, and tide, now they stand fixed and sterile, drawn as if by a ruler's hand. Machines chew and grind through living borders, and the rubble of this appetite settles into the sea, choking habitats, nurseries of fish, corridors of crabs, meadows of seagrass, leaving a linear beauty above and a silent void below. Biodiversity, once teeming, becomes a ghost story told in ripples and ruins.
Status
Exhibited
Themes
Threats to the biodiversity
Concrete disrupting natural environments
Coastline erosion
Coastal construction
Biodiversity loss
Habitat destruction
Development vs nature
Sustainable development
Space
• Presented within 'Making the Invisible Visible' exhibition, Jelsa Municipal Museum (Kravata gallery) / HDD, Jelsa.
Documentation
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Inspired by debates
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1st round
Jelsa (Island of Hvar)
Croatia
13.09.2024 — LAB852
LAB852’s debate (13 September 2024) focused on intergenerational and interdisciplinary exchange. A lecture by Prof. Zrinka Ljubešić opened the session, followed by a microscope-based diatoms workshop and collaborative activities designed to activate local memory around marine and forest ecosystems. Hosted in the small town of Jelsa on the island of Hvar, the event fostered strong emotional engagement with local heritage among high-school students, teachers, biologists and cultural practitioners. It generated a pool of materials and testimonies that inform the Croatian artistic output ('Making the Invisible Visible: Island Pulse') and its contribution to the CO-VISION archive.
2nd round
Jelsa (Island of Hvar)
Croatia
10.09.2025 — LAB852
Held 10–11 September 2025 (with a further block 4–5 December 2025) at the Jelsa Municipal Museum and Galerija Monade, the second Local Debate ran an intergenerational programme of guided exhibition visits and age-tailored activities. A lecture by coastal engineer Prof. Dalibor Carević anchored a moderated debate for high-school students on coastal protection, marine ecosystems and the 'no-take' concept, framing science and art as catalysts for social change and validating the developed artworks within the Jelsa Art Biennial context.
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